والپیپرهای هنری

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Delacroix, Eugene: "Liberty leading the people", 1830
Paris, Louvre
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"Liberty leading the People" is a work filled with symbolism. Technically it's also an extraordinary work, in which the memories of Gericault's " the raft of the medusa " are present in the composition Immediately associated with the French Revolution, Delacroix's masterwork also demonstrates the capacity of the Painting to become the symbol of an age.

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Durand, Asher Brown: "Kindred spirits" (detail), 1849
Private collection
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Two men at the top of the rocks, contemplating a fantastic fluvial valley, studded with rocks, shrubs and water jumps. Everything is peacefully; everything is perfect within the grandiloquence of the Nature

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Durand, Asher Brown: "Pastoral landscape", 1861
Washington, National Gallery of Art
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More romantic and less faithful to the reality that Cole, their works are despite more beautiful and poetic, with clear influences of masters like Meindert Hobbema or Claude Lorrain. He is the author of works as " Kindred Spirits" or " The beeches".

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Eakins, Thomas: "Shad fishing at Gloucester, Delaware River", 1881
Philadelphia Museum of Art
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Eakins was one of the most important painters of the American 19th century. "The Gross clinic", a 1875 canvas by Eakins, and described by a New York critic as "the most beautiful American painting of the 19th century" was purchased by the National Gallery and the new Crystal Bridges Museum of American Art for $68 million

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Friedrich, Caspar David: "The great Preserve (Ostra Preserve)", 1832
Dresden, Gemäldegalerie
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Caspar David Friedrich is the most famous of all the German romantic painters, and one of the greatest landscape painters of the Art history. This stunning painting is one of his most famous and admired works.

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Friedrich, Caspar David: "Wreck in the Sea of Ice", 1823/24
Hamburg, Kunsthalle
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Caspar David Friedrich is the most famous of all the German romantic painters, and one of the greatest landscape painters of the Art history. This stunning painting is one of his most famous and admired works.

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Gauguin, Paul: "The day of the Gods", 1894
Chicago, Art Institute
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Gauguin travelled to the tropics searching an artistic redemption, a comeback to the primitive an exotic that could help him to find the way in which his Art could be purified. In his own words, " Occident is rotten and anyone who is like Hercules can find new strengths travelling to far-away places. And coming back one or two years after, solid"

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Gauguin, Paul: "Arearea-Joyeusetés", 1892
Paris, Musée d'Orsay
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Gauguin travelled to the tropics searching an artistic redemption, a comeback to the primitive an exotic that could help him to find the way in which his Art could be purified. In his own words, " Occident is rotten and anyone who is like Hercules can find new strengths travelling to far-away places. And coming back one or two years after, solid"

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Gérôme, Jean-Léon: "Bethsabee", 1889
Paris, Louvre
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Gérôme was one of the last masters of the French neo-classicism tradition. He rejected the impressionist movement and produced many paintings in an Orientalist and Historical style.

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Hiroshige, Ando: "Men poling boats past a bank with willows", 1858
Tokyo, National Museum
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Ando Hiroshige is considered the last great master of Japanese stamp, interested, as Hokusai, for the natural elements and landscape. His unquestionable masterpiece is the series of "One hundred famous landscapes from Edo"